Sandro Botticelli
Sandro Botticelli's Oil Paintings
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c. 1445 – May 17, 1510. Italian painter.

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Isack jouderville
Details of Bust of a young Man in a Turban (mk33

ID: 24670

Isack jouderville Details of  Bust of a young Man in a Turban (mk33
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Isack jouderville Details of  Bust of a young Man in a Turban (mk33


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Isack jouderville

c,1612-before 1648 Dutch painter. His father, who came from Metz, kept a popular inn at Leiden. Isack Jouderville was among Rembrandt's earliest pupils and was apprenticed to the artist from late 1629 until the end of 1631. for the payment of his apprenticeship fees, signed by Rembrandt. During his last year of apprenticeship, Jouderville went to Amsterdam with Rembrandt. In 1632 he enrolled as a student of philosophy at Leiden University; it may well be, however, that he stayed in Amsterdam to assist Rembrandt in his workshop with his numerous portrait commissions. Jouderville himself painted mainly Rembrandtesque heads or 'tronies' and was such a faithful follower of his master's early work that several of his paintings were at one time attributed to Rembrandt. In 1636 Jouderville married Maria Le Fevre and settled in Leiden. Between 1641 and 1643 he lived in Deventer, after which he moved to Amsterdam, where he was last recorded in 1645.   Related Paintings of Isack jouderville :. | Bears gathering honey surrounded by swarming bees | Duck pond | snelandskab | Dimensions and material of painting | View of Delft, |
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salvadore dali
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The Brunswick Monogrammist
active in Antwerp 1588 - 1629
Aert de Gelder
Dutch 1645-1727 Dutch painter and draughtsman. He was the son of a wealthy Dordrecht family and probably became a pupil of Samuel van Hoogstraten in 1660. Apparently on the advice of van Hoogstraten, de Gelder moved to Amsterdam and entered Rembrandt workshop, possibly c. 1661. It is commonly assumed that he stayed there about two years. He was Rembrandt last pupil. After completing his apprenticeship, de Gelder returned to Dordrecht, where he worked for the rest of his long career. Considering that de Gelder was active for more than half a century, his output of just over 100 paintings seems low, probably because he was financially independent. Of those paintings accepted as by him, only 22 are dated, creating considerable problems in establishing a chronology.






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